This installation is made of two rooms, closed off from one another. One for the parents, and one for the children. They serve as a psychological case study, one that draws from her own childhood but also one that is confusing enough that the viewer isn’t able to draw any certain conclusions, just get a picture of her trauma and pain. The overwhelming red of the rooms and the objects in them immediately brings up a sense of blood and violence, the conclusion that this was not a happy home. There are also symbols of sexuality between the parents, and the fact that sexuality was still a mystery to the children. This kind of discomfort is used to introduce the viewer to a new environment, one that is informed by Bourgeois’ past experiences and mental struggles.